Karlheinz Stockhausen’s SPIRAL, a milestone in his oeuvre from 1968, was created in the context of his electroacoustic experiments and his commitment to instrumental virtuosity. SPIRAL achieved particular historical significance through its performances during EXPO 70 in Osaka, where it was presented daily to an international audience in the spherical auditorium of the German Pavilion, […]

a sonic reflection between memory and innovation recorders , organ pipes & electronics In a concert in Klaipéda (Lithuania) I was announced as a player of “magnetofonai” (cassette recorder) – translated from English “recorder”, which is rarely identified as the instrument “flauto dolce”. This misunderstanding inspired me to conceive “recordari” (to remember, to record) and […]