What happens if…


… Is the main question spiking my curiosity in creating and performing.

Second-guessing my set ideas about cause and effect, may it be in music, performance or gestures. I am intrigued by action and reaction cycles, searching for the affect in the effect and vice versa. Therefore I dive into multidisciplinary as well as interactive audience performance. Believing, that the use of live electronics in music and as interaction tools leads to a re-definition of the traditional composer-performer-audience trajectory, with the effect to share the affect.

Involving myself with different art forms and personalities within collaboration grants me a great exchange of thoughts and views, ultimately enhancing my individual expertise with a new depth time and time again.


I favor polyphony for Renaissance Consort and hold a deep fascination for collaboration in early and contemporary music. Since my early years I felt most comfortable making music together and this feeling is deepening as I have the pleasure to work with many different and inspiring artists.

“ I dare not employ only a single style or method, but rather the most skillful mixture of styles I can manage through my experience in various countries (…)

I do not begin a war, but perhaps rather a prelude to the unity , the dear peace, desired by all the people.”

Georg Muffat (1695)  Florilegium primum